Reviews: Götterdämmerung, 27 April 2024

... No disrespect to the singers, but the orchestra is what I’ll remember: a terrific, organic performance.

Robert Thicknesse, Opera Now, April 2024

Every detail was clear, and that is especially important for Jurowski, who has worked with his players to ensure not a note is wasted.

Richard Fairman, Financial Times, April 2024

It was as if, from the off, the orchestra realised this could be a performance of greatness. From first note to last, the dedication from the players was unflagging, as was stamina.

Colin Clarke, Seen and Heard International, April 2024

I doubt … if the Ring score has ever been more finely detailed, and never at the expense of the flow; Jurowski managed both to a supernatural degree.

David Nice, The Arts Desk, April 2024

In 2021 the LPO sent Jurowski off for fresh adventures after 14 years in post. When he comes back, they still play for him as for nobody else.

Jessica Duchen, i, April 2024

[Jurowski] coaxed a performance of subtlety and, yes, sweetness from his former orchestra ... His authority oozed from every gesture and he barely broke sweat.

Mark Valencia, Bachtrack, April 2024

With this Götterdämmerung London audiences were able to round things off with a suitably apocalyptic finale.

Neil Fisher, The Times, April 2024

The quality was hard to exaggerate ... Jurowski’s attention to orchestral balance and sound scarcely faltered. His attention to colour and dynamics was unstinting, the attention to accents and phrasing meticulous.

Martin Kettle, The Guardian, April 2024